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ep2

by Casey Neill

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1.
Come all you loyal heroes wherever you may be Don’t hire with any master 'til you know what your work will be For you must rise up early from the clear daylight 'til the dawn I'm afraid you'll ne'er be able to plough the rocks of Bawn Oh rise up lovely Sweeney and give yer horse some hay And give him a good feed of oats before you go away Don’t feed him on soft turnips take him out on your green lawn I'm afraid he'll ne'er be able to plough the rocks of Bawn Sweeny, lovely Sweeney you have me nearly robbed You’re sitting by the fireside with dúidín in your gob You’re sitting by the fireside from the clear daylight 'til the dawn I'm afraid you'll ne'er be able to plough the rocks of Bawn My hands they are well worn and my stockings they are thin My heart is always trembling I'm afraid I might give in My heart is always trembling from the clear daylight 'til the dawn I'm afraid I'll ne'er be able to plough the rocks of Bawn I wish the Queen of England would send for me in time And place me in a regiment all in my youth and prime I would fight for Ireland’s glory from the clear daylight 'til dawn And I never would return again to plough the rocks of Bawn
2.
1979, a Georgia barrier Island a kid with a face stained with peach where wild horses run over dunes I too run feral down the beach we three on holiday, in clothes of light I was too young to understand the distances that can live in a space so close live oak casting shadows on the sand when came the change? or was this always who we were familiar strangers born of blood and circumstance long ago in a polaroid blur I was so long gone in love with you, Brighton in the winter the passions of youth come calling so loud willingly our bodies answer in the Evening Star Pub throwing darts at the wall like the words we’d throw at one another so much of it now, I struggle to recall but sure, we never quite recovered When came the change?  Was it even a specific day? Or the slow eroding of the ties that bind Like the sea wall falling into the bay… Battered by so many waves now decades on the world's gone craven mad the end of history never arrived just when it seemed that democracy would chant eternal the ancient enemy is again revived now in the last gasps of the old republics, a culture splitting at the seams the recent past is like those faded photographs we cling hopefully to a fractured dream When came the change? Or was this always who we were the butternut boys, the john wayne go-it-alone A nation built on the lash and bones when came the change? we only see what’s in front of our eyes while off the margins and in the periphery the threat is very much alive when came the change? was it even a specific day? Or the slow eroding of the ties that bind like the sea wall falling into the bay battered by so many waves
3.
THE MALLOW ROAD by Casey Neill Thumb out, standing on the shoulder By the on-ramp, and the viaduct In the heat of the day, storm clouds headed this way It's been hours of cars blowing by you And you curse them in your mind some slow and you think they're stopping but they leave you in their dust behind Dare to hope for small kindness Dare to hope for a ride Just need to reach my destination and get off this highway side I could use a lift, I could use a lift Hitching gives you time to look backwards down the road from where you've been in suspended animation, trancelike contemplation It's 1 in a 100 if you're lucky takes the leap and lets you in some trusting soul, a temporary friend Dare to hope for small kindness Dare to hope for a ride Just need to reach my destination and get off this highway side I could use a lift, I could use a lift There's a sickness in the very marrow when all strangers are seen as a threat, for me there are no strangers just friends who haven't met The sky is gray with dusk now I'm losing faith in this late hour we're all travelers in isolation, tuned to our station brake lights glow red, a pickup pulls over I grab my bag and run down the shoulder to the open passenger door, a smiling face says hop aboard Dare to hope for small kindness Dare to hope for a ride Just need to reach my destination and get off this highwayside I could use a lift, I could use a lift
4.
Amidst the crush of tourists In the middle of Times Square the neon flash of evening Blinded by the glare I don’t know where to go I don’t know what to do I don’t know how to think about anything anymore Do you? Option paralysis the dizzy dancing dream Option paralysis lost in the data stream Shinjuku midnight escalators talking to you steam pours out of ramen parlor doors l.c.d.'s light up blue I don’t know what she said and I can only respond with a smile and take the Yamanote line to Ueno delivered through the turnstiles Option paralysis the dizzy dancing dream Option paralysis lost in the data stream photos, songs, and stories once tactile to the touch now 1s and 0s on terabyte drives where all memories we entrust we don’t have a past today is tomorrow’s slave the last frontier is nowhere soon there’ll be nothing left to save Option paralysis the dizzy dancing dream Option paralysis lost in the data stream

about

A 4 track EP of moody folky, dreamy, and melancholy songs. I recorded most of these at home in the Summer of 2020. I play all instruments and sounds except for the accordion on "The Rocks of Bawn" where Jenny Conlee-Drizos adds her magic.

- "The Rocks of Bawn" is an 18th century Irish ballad that comes from the singing of Joe Heaney of Connemara. It is an account of a life of farm labor.

- "When Came the Change?" - about being caught unawares - using dissolution of family and romance as examples before landing on the ghosts of history that live inside 21st century politics.

- "The Mallow Road" is a hitchhikers view from the side of the road. It's been a while since this was me, but I remember the angles.

- "Option Paralysis" is about post-modern alienation standing in a digital crush of Shinjuku Tokyo or Times Square NYC.

credits

released November 13, 2020

All songs written by Casey Neill except "The Rocks of Bawn" (trad arr Neill).
Jenny Conlee-Drizos - Accordion
Casey Neill - vocals, guitars, synths, percussion

Recorded at Osa's House. Accordion tracks recorded at The Panther PDX engineered by Steve Drizos.

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Casey Neill & The Norway Rats Portland, Oregon

CASEY NEILL & THE NORWAY RATS are a crack gang of musicians from Portland Oregon. Their sound combines high energy diesel fueled rave-ups and haunting ballads. Neill's weather beaten narratives celebrate miscreants, and explore the hidden corners of the American landscape. ... more

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